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MEMENTOS

Fare Sale – SFO to AUS

Team SF: If you are planning on traveling from San Francisco Bay Area to Austin, we found some great fares on JetBlue ($220-$250) direct–I’ve hardly seen a fare this low to Austin from SF. Other similar flights can be found within the same price range on other airlines out of the other airports (SJC –> AUS is typically a reasonably priced, direct flight as well).

I believe most people attending the wedding are taking the 4:50 pm flight the Friday before, and returning on the 8:50 flight, the Monday after.

MEMENTOS

Engagement Photos are here!

A selection of photos from our engagement session in Austin, TX. Click on the photo below!

slyveronikaengage157

Sly and I went to Texas for Mother’s day, and so that our families could meet in person for the first time. We all drove to Austin to check out the wedding site, as well as to sample bbq, and scout out hotels and rehearsal dinner restaurants. Unlucky for us, we managed to hit Austin at the hottest day that year — 90+ degrees. Most of our photos were taken outdoors in the baking hot sun…we were absolutely melting. Our final location shot was at Amy’s ice cream on Guad — one of the few places Sly and I had been together in Austin. We had some of our photos taken in the photobooth, and of course, enjoyed some awesome Amy’s ice cream.

Overall, I was a lot less embarrassed/lot more comfortable with the engagement photo session than I thought I would be. We weren’t planning on having engagements taken, but we’re glad we did.

SUPER 8

Major Derailment

…and just as I started to get things going, my life totally derailed.

In a good way though.

I got engaged.

I don’t have the actual proposal on super 8, but I captured a lot of moments up to that point, and then the moments the day after. One thing I’m learning is that the super 8 does not enjoy filming in low light, even in daylight, outdoors. So far, I’ve shot 3 rolls spanning several locations. I’ve filmed when the roll was finished (thinking I was still filming), and I’ve filmed several times without a roll of film inserted into the cartridge holder (again!), but all in all, I’m hoping that I’ve made contact.When I get to 4 rolls, I’m going to send them off, hold my breath, and see if anything went through.

I’m planning on filming my wedding in super 8 (or I’ll con some friends to do it for me). As unexpected as my engagement was (I just didn’t think it would happen *now*), it’s interesting how life is unfolding: how major life events are happening this year, and how I’ll be able to document it all in kodochrome. I’m still here, still filming, and still very much in love with my super 8.

In the meantime, some inspiration for the big day.And also a sneak peak into my photographer for the aforementioned day. I’m stoked to have found someone (quite accidentally) that shoots in film, and more than that, shoots with plastic cameras.

SUPER 8

super-8 network

So far, the most interesting thing about my project has not been the movies (or lack thereof–I’ve prob logged only a minute of time and 3 minutes of fake time when I thought I was filming, but wasn’t.) I’ve taken, but the people I have come into contact along the way.

Today, I contacted a guy who had previously sold me super 8 film to see if there was any chance that he had multiple reels I could buy from him (coincidentally enough, this person lives in SF. What are the odds.). I told him briefly about my project., and we ended up talking on the phone for a while about super 8, kodachrome, filming, etc. He told me about some other people he has met who filmed in kodachrome, and that he thinks there are other kodachrome processing labs (can this be possible)? He also mentioned that some guy developed the film in his garage…something I had been wondering was even possible for some time. Interesting…I remain iffy on the subject, but if I could meet and learn from someone who actually did it…I’d totally try it.

It has also become clear to me, as I shell out more and more money for film (processing not included), that I need to really consider a way to digitally transfer my film on my own. Again, I know very little on how to do this, but have read several “do-it-yourself” guides illustrating a digital video camera strapped to a tripod filming the 8mm on a film projector in a dark room. This method requires the purchase of a digital video camera (good-bye another grand). Alternately, there is something called a telecine machine (again, my knowledge right now is very small on the subject) that can do the transfer. A machine like this can also run several grand. I have also seen home made telecines, which I’m not sure I’m smart enough to build on my own. Then again, desperation, and lack of funds might be enough of a motivation for me to attempt something so macgyver-like. And finally, I’ve read about what sounds like an excrutiating process of scanning the film frame by frame and speeding it up or animating it through the computer. If I ever get to that point, someone please remind me that the $12 (or whatever) cost to transfer the film is worth the sanity and time it would take to scan frame by frame.

For now, before I become too overwhelmed with logistics, I need to focus on acquiring the film needed to get my project moving along. I’ll worry about the rest later.Back to my initial point of this post — I keep meeting people along the way — through ‘the process’ that have either offered me useful information, or have been interesting and inspirational. So far, it’s kind of like I’m in some weird choose-your-own adventure where one thing leads to the next, one person leads to the next. The person I talked with today mentioned applying for a grant. Never thought about it, but I’m going to research it. Who knows, maybe in doing so, I will be lead somewhere else.

And all of this because I couldn’t bear to throw away my dad’s old super-8.

SUPER 8

uhhhh, okay?

engaged-16

The Canon 514 xL arrived in the mail yesterday. It also arrived with a printed email from another customer, dated January 2 that read something like this:

“Please do not include the GAF camera with my order — you can either give it away or toss it. Just send me the Canon. It’s a light and easy-to-use camera. Please let me know the revised shipping costs of only the Canon camera. Use USPS and make sure to pack it good.”

Somehow the orders were confused…over a month later. Even though I didn’t care too much about the GAF, I still paid for it…and I paid for the $17 shipping for 2 cameras, not one. I emailed the goodwill that sold and sent the items asking them if they could please send the GAF camera due to the mix-up. Instead I received this reply:

“We have refunded your account $20. We apologize for the inconvenience and hope that works!”

What’s confusing about this is that BOTH cameras cost $21 together. Shipping was $17.50 priority. I received one of the cameras. Yet they refunded me $20? I don’t understand it, but I’m going with it. This means my Canon 514 XL cost me approximately $18.50. Well under ebay street value. The best part of the entire odd transaction, is that the camera was in great shape, no corrosion to the battery, and came with like 3 manuals and a nice, well-kept, leather case (which was not advertised in the original listing). The camera is also about 1/5 the weight of the top-of-the-line 1014, which I wasn’t expecting. A nice feature, giving me a lot more flexibility in carrying a super 8 with me on travels or backpacking trips. I’m taking Rudy and the 514 to our camping trip this weekend.

Prognosis: very, very bizarre transaction.

SUPER 8

This is Going to be One Expensive Project

Now that I have a working camera — now comes the hard part (and the part I dread) — trolling ebay for film.

There are 2 types of film that I want to work with in Super 8 format:Ektachrome (uses normal processing that you can find today)Kodachrome (discontinued film, only 1 location world-wide processes the film)Brand new (ektachrome can be bought at specialized camera dealers) or vintage, it runs about $20 a box for 3.5 minutes worth of film. That’s over $5 a minute.

GULP.

I’m hoping to accumulate 5 hours worth of film for the remainder of the year, and send batches off to process once I have a sizeable amount collected.  Processing is $12/roll. So for 3.5 minutes of film, we’re looking at a cost of about $35 inc. shipping. Almost exactly 10 bucks a minute. With numbers like that, the subject of the film starts to get really precious, which, if you think about it, is part of the point of my project. I think that’s part of what makes those old faded photos from the past so special — that there weren’t so many of them. Nothing like today’s digital age (although, arguably a time and place for that, and not to mention, infinitely easier and cheaper than film) which is so much more disposable.I made my first kodachrome super 8 purchase today, and am looking to buy some kodachrome slide film as well. Guess I better buckle down and start eating ramen

SUPER 8

Rudy

I met Rudy at a Starbucks in West Portal. It didn’t register at first that he was the guy I had been communicating with all week over email, but after about 2 minutes of debating whether I should approach him, I did.

It was him.

The camera was hidden in a plastic bag on the table, which is why I didn’t recognize him immediately.Rudy was kind of what I expected from our communication (I guessed older, only because he didn”t answer his email every 10 seconds). He had white hair, about 50s or 60s, really blue blue eyes, and was decked out head-t0-toe in SF 49ers gear. We shook hands, and his hands reminded me of my dad’s. And I knew this was going to work out.

When I sat down, he offered to buy me a cup of coffee (I declined). We talked a little bit about cameras. He told me he acquired this from his friend who cleans out storage spaces and knew he was into cameras, but as he”s into SLR”s, he didn”t really need a super 8. He pulled the camera out of the bag, and it was absolutely pristine. All the manufacturers stickers were still on the body. I placed in a roll of expired 1987 kodachrome and held my breath. It worked.Everything fell into place–light meter: check. Testing of the different speeds/frame rates: check. Film meter: check. Everything seemed to work.

I know it”s silly to be attached to an inanimate object, but in a weird way–the way I found the posting on craigslist, the fact that Rudy sorta reminded me of Dad (and the fact that the name, “Rudy” itself reminds me of the movie, and the school where my dad went), the fact that it just all fell into place–it just kinda felt like me and that camera were meant to be.Finally, I feel like it”s all coming together. I hope to be able to obtain some film before this weekend”s trip to Big Basin so I can finally get the show on the road.By the way, we named the camera Rudy.

Up next: scanned slides from Korea